Incremental Growth

Just a few days ago I learned that my eBook, What If? A Collection of Short Fiction by J. Paul Cooper, has been added to the catalogue at the City Library in Melbourne, Australia. That’s the way my writing career has progressed, one small step at a time.

One of the full-time writers I admire and consider a role model, sets a standard of 2,000 words a day when working on a novel. If he finishes the word count by 11 Am, then he has rest of the day to pursue other activities.  If it takes until 11 PM to finish writing the two thousand words, that’s when he stops.

For many part-time writers this may not be practical. If you’ve finished a day at work, had supper and driven your child to soccer practice, getting enough sleep to work  and pay the bills, is probably more important than how many words you write. It doesn’t mean you should stop writing, but you have to accept it’s going to be a long process that  requires patience.

The greatest challenge for any writer is continuing to work on a project, even when it feels as if you are making very little progress. It’s like taking one step at a time, climbing up a mountainside.  Logically, you know that if you keep taking one more step you’ll reach the summit, but it isn’t easy. I like how motivational speaker John Assaraf approaches the issue, “Are you interested, or are you committed? If you’re interested, you’ll do what’s convenient, if you’re committed, you’ll do whatever it takes.”

I’ve had numerous short stories, articles and essays published over twenty years writing part-time.  Although I haven’t made much money, what I have gained is credibility. I can submit a screenplay to a producer or a manuscript to an editor, knowing I have a track record that proves I can write.

If you’re discouraged with slow progress, don’t be too hard on yourself. As long as you are writing, even if the amount of time you have to write is very limited, you are a writer! It’s your gift, it’s who you are, and no one can take that away from you.

Copyright © 2017 by J. Paul Cooper

 

The Part-Time Grind

As a writer, it’s frustrating to see the same story ideas being recycled. You go to the theatre and so many of the posters advertise films that are either another installment of a popular franchise or a remake of a film made twenty or thirty years ago. It’s frustrating because you have so many story ideas that you want to share with the world; your imagination is unlimited, but the amount of time available to you is not.

If all writing involved was actually writing, the process wouldn’t be so complicated or time consuming, but a writer is essentially an entrepreneur. The writing process requires you to develop your ideas, create a product, submit that product to the marketplace, follow up on  submissions, and if they are rejected, find new markets for them.  So what do you do, if you have a job that takes up forty or more hours of your week?

First, you’re going to have to choose which project to make the main priority. At present I’m working on a science fiction novel. I have a couple of screenplay concepts I’d love to be working on as well, but if I don’t concentrate on the novel, I will never finish it.

Second, you have to commit to finishing the project. You have to decide that even if you only have a short time each day to write, you’re going to keep at it until it’s ready to submit to an editor or producer. Keep in mind that nothing you write will be perfect, so although it’s important to do your best, at some point you will have to submit the work and see what happens.

Third, don’t compare yourself to other writers. If you convince yourself you’re a lousy writer just because someone finishes a project faster than you, you’re likely to become discouraged and give up. That would be a shame, because the world needs to hear your unique voice and your circumstances will never be exactly the same as those of another writers.  It’s like the feeling you get when driving a used car and someone passes you  driving a brand new sports car. You feel jealous for a moment, until you realise he may be driving $100,000 of debt.

As I mentioned in an earlier post, the best description of the writing process I’ve found is an address by Canadian science fiction writer, Robert J. Sawyer. If you look up his name on http://www.youtube.com you’ll find the videos listed as Robert J Sawyer-P1 of 3-OWC2010, Robert J Sawyer-P2 of 3-OWC2010, and Robert J Sawyer-P3 of 3-OWC2010. OWC stands for the Ontario Writers’ Conference and each video is about ten minutes.  I hope you’ll find time in your busy schedule to watch these three short videos. His website, http://www.sfwriter.com also has some great resources.

Keep writing, world needs to hear your unique voice. If you choose to use this essay, or quote from it, please remember to give me credit for my efforts.

Copyright © 2017 by J. Paul Cooper

 

 

Writing Formats: The Keys To Your Potential

Note: This article was originally published in the July 2017 issue of Opal: The Canadian Magazine For Authors and Writers. http://www.opalpublishing.ca.

The potential of the creative mind is infinite.

As the setting sun dips below the horizon producing a red glow, one writer imagines two lovers walking along a beach holding hands. Another writer imagines the red glow of plasma engines on a starship, delivering the alien horde about the annihilate the human race. Both stories can have a happy ending.
With time and practice, anyone who applies themselves and is dedicated to their craft can develop a unique voice and become an excellent writer. Although your mind constantly overflows with creative ideas, there is one factor which can limit the opportunities available to you; the number of formats you are familiar with.
It isn’t an issue of lack of talent, it’s about how quickly you can respond to opportunities. If you see an announcement for a playwriting competition, and you have a great story idea, you can write the play while you’re learning the format, but it will take longer. It will be a much less stressful experience if you already understand the format for writing a play for live theatre.
Another good reason to experiment with various formats is that it may help you find which format you’re most comfortable working with. Several years ago I was writing a crime novel and now matter how many times I started, I always found myself stifled by writer’s block. I had recently read a couple of screenplays just out of curiosity, so I decided to write the story as a screenplay, to see how it would work out. A couple of months later I had a completed feature length screenplay and I discovered my favourite writing format. Since that time I’ve written several screenplays, submitting them to producers and directors. Screenwriter, poet, playwright; you can wear all those hats!
An excellent way to develop an understanding of different formats, discover how they relate to each other, and how they are adapted for movies, is to use the following process: Read the source material (if it’s an adaptation), read the screenplay, and then watch the movie. You can begin by searching your local library’s catalogue and find out which screenplays are available. Use “Motion Picture Plays” as the subject and “Screenplay,” as a keyword. Some books about making movies also contain complete screenplays or excerpts. If you search using a movie title, keep in mind that the source material’s title may not be the same as the movie title. The 1982 movie Blade Runner was based on Philip K. Dick’s novel, Do Androids Dream of Electric Sheep?
You can buy screenplays, but it’s better from a cost perspective to see if the library has the screenplays you want to read first. There are websites that allow you to read screenplays, but I can’t vouch for how safe they are. Your library will also have books on how to use the different formats. If you’re not sure if a movie is based on an original screenplay, visit http://www.imdb.com. On each movie’s webpage you’ll find the Writer(s) listed below the Director, including who wrote the screenplay, as well as the title and author of the source material, if it’s an adaptation.
The reason this process is such a useful learning tool is because of the wide variety of formats you’ll be exposed to. Arrival (2016) us based on the short story, ”Story of Your Life,” by Ted Chiang. A Few Good Men (1992) is based on a play by Aaron Sorkin, who also wrote the screenplay for the movie. All The President’s Men (1976) is based on the non-fiction book by Carl Bernstein and Bob Woodword. Adaptations can also be based on magazine articles, an individual’s personal journal entries and poems.
Whether it’s based on an original screenplay or an adaptation, it’s fascinating to learn how the writers and directors, all storytellers, approach the same story.
Are you wondering why I said a story about aliens annihilating the human race could have a happy ending? An alien writer published her memoire of the invasion, The Day Humans Died. The memoire became an inter-galactic bestseller and she became filthy rich. In real the real world, the lawyers get all the money.

J. Paul Cooper