Rolling The Dice

As I’m writing this blog post, an independent film company is considering one of my screenplays. I have no idea how many other movie scripts they’re reading. For all I know, they may be looking at hundreds of screenplays by more talented writers.   It’s easy to talk yourself out of submitting your writing, just by thinking about how tough the competitions is, but that isn’t fair to you or your potential readers.

If you say to yourself, I’ll never be able to write like Suzanne Collins, or J.K. Rowling, the only answer I can think of is, “Good.” Why would anyone want to read a book by a writer who is just copying a famous writer’s style, when they can enjoy the unique voice of another writer? Although I think The Hunger Games and Harry Potter series were both very well written, I love reading books by new writers (or at least new to me), and immersing myself in the worlds they create. The series I’m reading now is The Expanse series by James S.A. Carey, and before that, the Mortal Engines series by Philip Reeve.

Is your writing good enough? That’s a difficult question to answer, because writers can have perfect spelling and grammar, yet no one reads their books. What one reader considers a cliche, might be considered appropriate for the situation by anther reader. When I read The Meg by Steve Alten I thought it had too many cliches, but it was a bestseller, and it was adapted as a movie as well.

It’s really about style. My wife didn’t enjoy reading The Fellowship of the Ring by J.R.R. Tolkien, she found his detailed description of every rock and shrub irritating, just too much detail. I didn’t finish reading The Lion, The Witch and the Wardrobe by C.S. Lewis because it didn’t include enough detail for me to enjoy the story.

You, the writer, have a choice to make. There’s no guarantee the book you submit to an editor, or self-publish, will be a bestseller; but it may be. It’s likely that some readers won’t appreciate your writing style, but even the most popular books are disliked by a portion of the people who read them. Whether you choose traditional publishing, or self-publish, the only way to discover how much potential you have as a writer, is to keep submitting material; and roll the dice.

Copyright © 2020 by J. Paul Cooper

 

 

 

Before You Submit

One evening last week I was reading a short story out loud, getting ready to present it at a writers’ meeting. Here are some reasons you should read your material out loud, before you submit it to editors or producers.

Reading out loud is the easiest way to determine if your sentences are a reasonable length. A rule of thumb is, if you need to take a breath while reading a sentence, you need to either add a comma, or make the sentence shorter. It’s better to vary the length of your sentences, so it will feel more natural to your readers. Sometimes your reply to a question will be lengthy, but at other times it will just be “yes,” or “no.” If a character in your story doesn’t not know how to reply to a statement, you can always write, “Hmmm,” as his or her response.

Can the reader pronounce the names you’ve given to locations or characters? This can be an issue for science fiction and fantasy writers, when they’re struggling to come up with unique names. If you read a name out loud and find it challenging to pronounce, then you should seriously consider changing it to something simpler. If your main character’s name is Irlzolriqil, it will be distracting.  Readers who spend too much time concentrating on how  pronounce a name or place, won’t enjoy reading you story.

Taking the time to read out loud, will also help you to find spelling errors, because the software you use, may not recognize the different contexts used with words. “Break,” and “brake,” are both spelled correctly. If the software detects misspelled words, it will only advise you of a problem, if either word was spelled “brek” or “brak.”

If you’re going to read out loud, a good resource is How to be Heard (2017) by Julian Treasure, which is available as either a book or audiobook. An excellent speaker to listen to is Les Brown; you can hear several examples of his passionate style on http://www.youtube.com. Another excellent, though less well known speaker, is Ashwin Ramani. You can find examples of his style in the Sermon Archives at http://www.cschurch.ca. Probably the best speaker I’ve ever heard, is science fiction writer Robert J. Sawyer. You can find numerous examples of his speaking style on http://www.youtube.com.

Reading your stories out loud is an inexpensive way to improve your writing and will help you prepare for a successful writing career. And I want you to have a successful writing career, because the world needs to hear your voice, your passion.

Copyright © 2019 by J. Paul Cooper

 

Discouragement

You can’t climb a mountain, unless you believe you can make it to the summit. You have to be optimistic, in order to overcome the inertia and start moving. At the same time, you have to risk the disappointment that will result, if you don’t make it to the top. That is the writer’s dilemma.

Earlier this year I sent a follow-up e-mail to a producer I had submitted a screenplay to. I didn’t receive an answer from the producer, as if I wasn’t even worth the few minutes it would have taken to write a reply.

If your work is refused, and it will be, what are your options? If you stop writing, then you’re allowing the individuals who rejected your work, to decide your future. Why should their opinion prevent you from reaching your full potential as a writer? Some of my short stories were rejected several times, before they were published.

If you’re convinced that a short story has great potential, but it keeps being rejected, perhaps you could take it to a Writer-In-Residence at a local library or university. If you’re a member of a writing group, you could submit it to be critiqued at the next meeting. Since this may not be possible in your situation (or you’re concerned your story might be stolen), another option is to set aside the short story for a few weeks and work on another project. Returning to a story after a break will allow you to see it with fresh eyes, and you may discover new ways to improve it.

If you’re discouraged, learning how bestselling writers approach their careers can be a great help, and Youtube is an amazing source of information. Several successful writers are featured in Evan Carmichael’s “Top 10 Rules” series. You can also search your favourite authors’ names, and you’ll find videos with them delivering keynote addresses at writer’s conferences, speaking at libraries and being interviewed.

I hope you keep writing, because every time a new, passionate voice is heard, the world becomes a more interesting place.

Copyright © 2019 by J. Paul Cooper

 

Surviving the Critique

I’ve been attending meetings of a local writing organization since February and I really appreciate their professional approach to critiquing material. You submit a short story or a portion of a novel-in-progress, and two members volunteer to critique the work for the next meeting. At the next meeting you read for up to ten minutes, and then the two volunteers give their impression of the material you’ve submitted to them. They are each given a few minutes to express their concerns, and then it’s opened up to the floor for other members to comment on what they’ve heard.

The critique considers both the material you’ve written, and how well you deliver the material. Since as a writer you may be asked to do public readings, this is an excellent opportunity to discover whether you speak too fast, you don’t speak loud enough, or you  slur your words. You might also discover (especially in science fiction and fantasy) that the names of your characters are very difficult to pronounce.

For the last meeting I submitted a portion of a science fiction novel, and naively assumed that the individuals critiquing the material would be impressed with my excellent writing. I was wrong. It was brutal. The individuals critiquing my material said there were distracting spelling and grammar errors, my action scenes were poorly structured, and I changed point-of-view too frequently.

Fortunately, that was exactly what I wanted to hear. I didn’t want anyone pulling punches to avoid hurting my feelings, I wanted the truth. If you’re serious about becoming a published author, you need to discover where your weaknesses are. Sending poorly written material to an agent or editor will result in a rejection, often with no explanation other than, “it’s not what we’re looking for at this time.”

You don’t need to worry about what other writers think about your material, because  you make the final decision. You should consider their opinions, but you are responsible for the end product. It can be very embarrassing to have other writers point out your mistakes, but that isn’t a bad thing. Whether it’s a story you’ve published online or a public reading, you have to accept criticism. Joining a group of writers and having them review your work is an excellent way to prepare for negative comments. If someone doesn’t like what you’ve written, just keep writing, you’ll eventually find readers who  appreciate your voice, your passion.

Copyright © 2018 by J. Paul Cooper

 

Catnip and the Ides of March

Your cat lies napping on the cat tree, basking in the afternoon sun. At first it may appear like a Normal Rockwell painting, but perhaps it’s more like a non-fiction book by Robert Greene.
It’s the classic image of a Senator in ancient Rome; with the snap of his fingers servants rush to him, feeding him grapes, offering him wine. The feline reclines comfortably in her cat bed, and as she utters “Meow,” her servants run to her side, bringing her a favourite treat.                                                                                                      Senators in ancient Rome were always aware of the threat of conspiracies, closely watching each other’s actions for clues of machinations. One cat rests on a sofa in the living room, when another feline enters. The cat on the sofa tracks the other cat with laser sharp focus, taking notice of who she shares her affections with.
Roman senators had to instinctively know when it was best to listen and observe, and when it was time to make their presence known, inviting praise. At times a cat will enter unnoticed and watch silently from a corner of the room. At other times, however, a feline will announce her arrival with a loud “Meow.” The plebeians compete for her attention, begging her to take a seat next to them, praising her unequalled beauty, bribing her with treats. With a swish of her tail, she dismisses them as unworthy of her affection, and leaves the room.
Two senators greet each other with pleasantries on the streets of Rome, masking the their true motives. In the afternoon two cats pass each other peacefully, but during the long hours of the night, the silence is shattered by the loud hisses of an altercation, as they vie for dominance.
The wealthy citizens of ancient Rome are also remembered for holding drunken orgies. It’s New Year’s Eve, and you’ve just given kitty some catnip to enjoy the festivities…. The intoxicated feline rolls around the floor uttering incoherent meows, in a display of unbridled debauchery.
It might appear that you and your cat are friends sharing a loving relationship, but are you truly equal? When was the last time a cat flushed the toilet for you? Forget to scoop the litter box and your cat will warn you with loud meows, and then defecate on the floor in protest. You fill the cat’s water dish, but when has the cat ever poured a glass of wine for you? When the cat turns her nose up at something she’s doesn’t like, what do you do? The next time you’re at the grocery store you won’t buy just any brand of cat food, you’ll buy her favourite brand.
After enduring a terrifying dream, Julius Caesar’s wife warned him to stay away from the Senate on the morning of March 15, 44 BC. Ignoring her advice, he went anyway and died from multiple stab wounds, inflicted by Senators who had sworn their fealty to him. The cat sits on your lap and starts kneading you with her claws. You think it’s a sign of affection from a loyal companion, but perhaps those claws represent daggers, and it’s really a warning, “Remember the Ides of March, and don’t forget to buy more catnip.”

Copyright © 2018 by J. Paul Cooper

 

Fiction Essentials

YOU DON’T HAVE TO KNOW THE WHOLE STORY BEFORE YOU BEGIN: All you really need to start a novel is one scene. Let’s say what you have is a short dialogue between two characters; begin by recording what they say. Next, you can start asking questions: Where did they have the conversation? Was it a relaxed conversation, or were they under pressure? What was the outcome? Once you start adding locations and other characters, it won’t be long before you start to see the story’s full potential.

READ WIDELY: One of the drawbacks of always reading and watching movies in your favourite genre, is that what you write may start sounding like a group of clichés linked together to form a predictable plot. The greater variety of books you read, the more insights you’ll be able to introduce in your stories. Reading a book about business may seem useless if you’re writing science fiction, but if you’re writing a scene in a space station, there will be alien businesses!

DON’T WAIT UNTIL YOUR FIRST CHAPTER IS PERFECT BEFORE CONTINUING, BECAUSE IT NEVER WILL BE:  One of the most dangerous pitfalls in writing, is continually rewriting a story, and never finishing it. Often perfectionism is a form of procrastination; you don’t have to face rejection or criticism, if you never submit your work to an editor. You could have a written literary masterpiece, but you’ll never know unless others have the opportunity to read it.

LEARN FROM THE MASTERS: What an amazing opportunity awaits you at http://www.youtube.com! You can watch successful authors being interviewed, and talking at writing events around the world. You’ll discover what inspires their writing,  learn about the writing process, and by listening to the questions,  help you prepare for your future interviews.

TAKE EVERY OPPORTUNITY TO READ IN PUBLIC: Watch for announcements about  Open Mic events at libraries and bookstores. If you belong to a writer’s organization there may also be opportunities to read your material out loud. If you’re serious about building a writing career, public reading is an essential skill; the sooner you begin practicing, the sooner you’ll become comfortable with the process.

KEEP WRITING: If you’re working on a novel and you’ve seemed to hit a wall, don’t stop writing, just switch to another project temporarily.  Take some time to write a short story, an essay, an article or a poem, and let your subconscious work out a solution for the challenge you’re facing in the novel.  After you’ve had a break, get back in the saddle and finish that novel! The world is waiting to hear your voice and feel your passion.

Copyright © 2018 by J. Paul Cooper

 

And The Winner Is…..

Last weekend I attended When Words Collide, an annual conference for writers and readers held in Calgary. I enjoyed several seminars, and I also read a short story to a small audience Saturday evening.

Before the conference, I entered the Robin Herrington Short Story Contest. (The results are announced at When Words Collide.) First Place has a prize of CDN $125 and the top ten stories are included in an anthology, In Places Between.

Sunday morning I went to the final judging, where the top ten pieces were offered critiques by four judges, and the results were announced. I thought the short story I submitted was unique, well written, and I expected to win.

By the time the judges were half-way through the list, and my name hadn’t been mentioned, I reduced my expectations from winning, to at least being included in the anthology. As the last short story was discussed, I had to accept the fact my story wasn’t even one of the top ten.

Earlier this year, however, I learned that one of my short stories was accepted for Power: In the Hands of One, In the Hands of Many. It’s an anthology soon to be published by the West Coast Science Fiction Association. That story was written quickly to meet the submission deadline, and I wasn’t optimistic about it being accepted.

If you’re trying to decide whether to enter a contest, or submit material to an editor, remember that it isn’t a simple “yes or no” proposition. One person could love your story, another think it’s a piece of junk. It’s like listening to the radio; a song comes on and you wonder how anyone could possibly enjoy it, yet it’s a huge hit and millions of people love the song.

Whether you self-publish or send your material to traditional publishers, what’s really important is that you give others the opportunity to hear your voice and feel your passion. Keep writing my friend, keep writing….

Copyright © 2018 by J. Paul Cooper

If you haven’t read it yet, my eBook, What If? A Collection of Short Fiction by J. Paul Cooper, is available through http://www.smashwords.com and several other online retailers, as well as several libraries in Canada and the United States.

 

Intimidation and Inspiration

Eighty thousand words! One of the members at the meeting said he’d written eighty thousand words in one month, while working a full-time job. I’ve been writing a science fiction novel for several months and I only have about thirty-five thousand words completed. One of the risks of joining a writing association is that you’ll feel intimidated by the achievements of other writers. Here are some reasons why you shouldn’t allow that uneasiness prevent you from joining.

If you’re serious about becoming an accomplished writer,  you must be willing to have your work critiqued.  When you’re working on a piece, you’re too close to the material and you won’t notice problems, that other writers will.  If you were building a house, wouldn’t you be thankful if someone pointed out a flaw in the foundation, rather than build it, and have it collapse? It’s better to have issues in your story pointed out by other writers, before you send it to an editor or literary agent.

One of the greatest benefits of attending meetings with other writers, is talking about your craft with people who understand what you’re experiencing. Your friends and family, and the guys and girls at work may be willing to listen to you talk about writing, but they won’t truly understand how frustrating or how rewarding the process can be.  You’ll be inspired by writers just like you, who are driven to create. They’ll understand that you don’t just write because it’s a fun hobby, you have to write

For many people, just the thought of speaking in public is terrifying. As a writer, however, public readings are an important aspect of developing your profile. A group of writers you’re familiar with is a safe, encouraging environment where you can learn to improve you’re public reading skills. A couple of months ago I read from the novel I’m working on, and I spoke so fast that hardly anyone understood me. That was an embarrassing, but important lesson that I had to learn.

If you find it difficult to travel to meetings, you can participate online.  There are so many writing associations, that the challenge won’t be to find a group, it will be deciding which ones to join! Please note that I don’t believe that you must join a writing organization to become a great writer, but there are definite advantages.

Last weekend I wrote an article for a writing magazine, and this week I’ll continue working on my science fiction novel. What will you be working on this week? Let us hear your voice and feel your passion…Write!

Copyright © 2018 By J. Paul Cooper

 

 

 

 

 

Talking Sheep

Earlier this month I was scheduled to give a thirty minute presentation on screenwriting for a local writer’s association. I was nervous, because although I’ve written several screenplays, I’ve never actually sold one. I’ve learned a considerable amount about the industry, but I would feel more confident if I had an on-screen credit.

The challenge I faced was speaking slowly and clearly, because when I get nervous or excited, I tend to speak so fast that I become impossible to understand. That’s exactly what happened the previous month when I read a portion of a novel I’m writing. Visualisation often works, so I first imagined I was driving an older model car using a manual transmission, shifting to a lower gear. That wasn’t a good idea, because I’ve only used a manual transmission once, and it isn’t an experience I want to repeat.

The inspiration for the visualization technique that was effective came from a children’s series that never fails to make me laugh; Shaun the Sheep. I imagined myself standing in a field surrounded by sheep, happily munching on grass. One of the sheep walked up to me and said, “Caaaalm Doooown.” I started laughing and I immediately relaxed. I was enthusiastic, because I love writing and I think it’s a fascinating subject, but I spoke slowly enough to be understood.

If you’re serious about a writing career, take advantage of public speaking opportunities to improve your skills. You never know when you’ll be asked to speak about the writing process or another subject related to what you’ve written. Keep writing, because the world needs to hear your voice, your passion.

Copyright © 2018 by J. Paul Cooper

 

 

A Fascinating Challenge For Leonardo DiCaprio

Leonardo DiCaprio’s talent seems limitless; he portrayed a street artist in Titanic, an agent invading dreams in Inception, a suave, mysterious millionaire in The Great Gatsby and a brash, greedy business tycoon in The Wolf of Wall Street. I’m looking forward to two movies in development that will require him to play real-life characters who were complete opposites; one a national hero, the other the most hated man in the United States.

The Black Hand is adapted from Stephan Talty’s book and concerns the battle between a criminal organization, the Black Hand, and a New York detective, known as the “Italian Sherlock Holmes.” The Black Hand was terrorizing new Italian immigrants, kidnapping children, stabbing victims and blowing up the businesses of those who refused to pay their extortion demands. Joseph Petrosino, who DiCaprio is going to portray, became a national hero for his fearless determination to confront and destroy the Black Hand.

The Devil in the White City is based on Erik Larson’s book and concerns the lives of two men during a turning point in American history. As architect Daniel Burnham was designing and organizing The World’s Columbian Exposition that opened in Chicago in 1893, serial killer H.H. Holmes opened a hotel nearby and used it to harvest victims. DiCaprio is going to portray H.H. Holmes, who was distinguished by the chameleonlike ability to switch between a charming personality that deceived people into trusting him completely, and a cold hearted killer who enjoyed the suffering of his victims.

What makes these stories so interesting is that the two men lived in the same time period as American history transitioned from the 19th to 20th centuries. It will be interesting to watch how cinematic magic recreates the era and how Leonardo DiCaprio portrays such divergent characters.